I was expecting a picturesque sea-scape with poles jutting out from the
middle of the ocean and stick like figures sitting on them with their fishing
rods extended and lots of fishes flying swarming the coastline. But little did
I know when I reached Koggala that this ‘art’ of catching fishes was dying
fast. This morning, the beach was almost empty with only a few peddlers selling
coconut water and some snacks. The poles near the beach were deserted.
As soon as I descended from the bus and headed towards the shore, a man
in his mid 50s approached me and demanded 500 rupees before I could take my
camera fully out from my backpack. I was taken aback and did not understand at
first. I told him that the ocean was free for all and I am free to take photos.
He responded back that the 500 rupees was for clicking pictures of the stilts
with the fishermen ‘on’ them and advertised more on the beauty of the landscape
with people sitting on them than taking a photo of the stilts alone. Five
Hundred rupees more and I could sit on the stilt and have a picture of myself
taken and also get a feel of this art which is unique to only this part of the
world.
Stilt fishing (commonly known as ‘Riti Panna’) requires sitting on a
cross-bar (called ‘petta’) tied to a vertical pole that is 3-4meter tall planted on the ocean floor or on
the coral reefs. The height of the stilt could be adjusted based on the height
of the tides and also the distance between any two stilts was such that the
lines of two adjacent fishermen do not get entangled. Two or more stilts could
be combined together (called as ‘wata’) so that more than one fisherman can sit
along the stilt. Holding the stilt by one hand while being seated or standing
and holding the fishing line on the other hand, these fishermen generally spend
hours together early in the morning or late afternoon with the hope of having a
good catch to feed their family and also sell some in the local market and make
a few bucks. Test of one's patience indeed!
Small reef
fish like koraburuwa (spotted herring), bolla (small mackerel) and ahalaburuwa
(young koraburuwa) about
the size of a sardine were the primary members in a catch. The caught fish were
often stored in bamboo baskets or the polythene covers which were tied to the
poles themselves. Fishing nets are prohibited and so are certain types of
hooks. This is an unobtrusive method of fishing, wherein no baits are used on
the hooks, for the fishermen believe that any changes in the waters would lead
to the reef fish not returning in the next season. Also, full-moon days are avoided.
It is believed
that stilt fishing started after the Second World War when discarded ‘iron
poles’ or G.I. pipes were used as stilts in the reef. But soon the practice
changed with the use of timber that was cheaper, lighter, durable and also
easily moveable. These stilts are highly precious commodities for they
are transferred from generation to generation along with particular fishing
skills that are unique to each family. Located primarily along the southern
coast of Sri Lanka in places like
Koggala, Habbaraduwa, Ahangama and Kathaluwa, every reef was allocated to a
village or a group of villages to avoid possible disputes between fishermen.
Now, I exactly knew what the fisherman meant when he demanded 500
rupees for clicking a photo, for I quickly understood that this traditional way
of living was no longer the only means of survival, for these fishermen were getting
better returns from posing for a few minutes in front of the camera. The
increasing cost of living, unpredictable environmental conditions, long hours
to be spent sitting on the pedestal and depreciating returns were all factors
in ‘commercialization’ of this beautiful-yet-tough-art.
[This article was published in Deccan Herald on 6-June-2013]
1 comment:
I suppose we as tourists would like to see the past performed for us, and for our cameras. Whereas the folks we are visiting would like to come on board with us—when they're poorly off like here. Nice observation. Loved your blog.
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